
Jerrica has A Way with Words
Flames to Remember (Excerpt)
Short Story - Set to publish June 2025
This is a small snippet of my first published short story, Flames to Remember. The full version can be found as part of *By the Fire Anthology: Shattered Reflection* (set to publish in June 2025) along with 20 other awesome short stories from our time at Algonquin in the Professional Writing Program.
The piece was created on a prompt which provided the first and last sentence. It was a fun challenge to make two sentences line up when, at first, they have very little to do with each other.

An Excerpt
I was enjoying my time tending to the fire while a bunch of rowdy teens ran around joking and laughing. It reminded me of something that I just couldn’t put my finger on. Something about the party, and the time of year, and the fire were scratching at the back of my head. I let the unpleasant feeling go and just enjoyed the crisp fall weather and youthful atmosphere.
Until I heard a scream. I stood and spun, my feet moving before my mind could process. That’s when the unpleasant feeling returned. That’s when the memory of my father came flooding back. I looked at the kid closest to me and demanded he call 911. I confirmed he was reaching for his phone and ran to the faucet.
“Buckets! Everyone!”
Small bucket by small bucket, I tossed water on the blaze. I couldn’t stand back and do nothing; this wouldn’t be like the last time. The flames licked at my arms with every bucket I flung. That’s when I realized Sammy was standing there like a deer in headlights.
“Sammy! Move back! You’re too close!” She didn’t move. This was the only thing that could make me leave my post. I ran to her, picked her up, and dragged her back toward the house. “Stay.”
I could hear the sirens in the distance. Not as fast as they were last time.
Famony Scene
Scene - December 2024
This scene was an exercise in using someone else’s world bible. The world was created by Iris Tikwei Tsui but the scene was created by me. The world is set in a future where parents are assigned babies rather than having them the old fashioned way. This scene explores what the moment of receiving a baby from the company might look like.

Scene in “A Harmonious World Starts with Famony®”
Brzzz! Natasha walks over to the intercom. “Hello?”
“Hello, Mrs. Ivanov?”
Natasha silently squeals, squishing her face up and balling her hands into fists. Ahem, “Speaking.”
“This is Gino Aiello from Famony. I have a package for you.”
“Please, come up.” She presses the open button for the apartment door. Natasha paces back and forth unable to control herself, a wide smile burning her cheeks. When the knock finally comes she stops, flattens her shirt, and takes a deep breath before opening it to Gino and her package.
In the arms of a middle-aged man is a small bundle wrapped in pink cloth. “Hello, Mrs. Ivanov.”
“Natasha please.”
“Natasha. Meet your daughter!” He hands the bundle to Natasha and pulls the cloth down a little to reveal the smallest, wrinkliest face she'd ever seen. The baby’s cheeks are pink, eyes bright blue and a head full of dark hair.
“She has so much hair!”
“They do that sometimes. It usually doesn't stay, but I'm sure you know that.” He walks in and places a large bag down on the couch. “Is your husband around?”
“No, he’s with a client.”
“Well, I'm sorry I missed him. Mind if I do a quick inspection?”
“Of course. Whatever you need.” Her voice was distant while she continued to stare at her daughter’s face. Natasha walked to her window. She pointed at the fish swimming by and made fish faces down at her daughter. The very young baby didn't react, but Natasha giggled.
“Everything looks to be in order, I just need to know her name and have you sign these papers.”
“Elena Maria Ivanov.”
The second the door closed behind Gino, Elena wailed. “Oh no darling, shh, shh.” Natasha bounced gently. “Okay. Food, diaper, sleep. Food, diaper, sleep.” she repeats softly trying to fish through the large bag for formula.
Everything else ends up on the floor, but a bottle and formula are found in the process. With Elena still wailing, they go to the kitchen. Natasha continues to bounce and shush and coo. Then she realizes she needs two hands for this. She doesn’t want to put the baby down, but she’s going to have to.
There’s a crib in the other room. “It’ll just be a few minutes. I need to get your bottle ready. I’m so sorry.”
Natasha rips open the formula and spills it everywhere. “Perfect.” She opens another packet, much more carefully, and gets the bottle into the warmer.
She goes back to get Elena, but the crying has stopped. She carefully peeks into the room, and Elena is fast asleep. “I guess we went straight to sleep.” Natasha's startled when a hand touches her shoulder.
“Sorry I missed the delivery.” Ivan kisses Natasha gently on the cheek. “She’s beautiful.”
Psychopomp, The Raven
Poem (Modified Glosa) - December 2024
The following is a poem written as a modified glosa. The original structure of a glosa poem is to take four lines from an existing poem and use them as the final line of four stanzas each with ten lines in similar length to those from the original work. This poem instead, uses eight lines from Edgar Allen Poe’s “The Raven” as the first line and vaguely follows the same rhyming scheme as the original poem.
Originally published on Spine Online in poetry section.

Psychopomp, the Raven
Once upon a midnight dreary, while I pondered weak and weary,
Lost and staring, I swore a moment ago I saw the sun clearly.
Time passes strangely in the dark hours of night, easy to lose track.
I sat upon a well-worn chair, and gazed around me with great care
Taking in my great collection; relics, artworks and possessions
Of many great and noble people, artists, poets and warlords.
Clouds overcast, and fog settles, a sliver of the moon prevails
The stars have all but disappeared, another lonely night sails.
Over many quaint and curious volumes of forgotten lore,
Tonight it's over one of glorious war, which I pore.
The shadows of the night seeping in, creeping in. I turn up
The lantern and continue reading, while the rain begins beading
On the window. A storm is brewing, unsettling. Yet fitting
For ghosts and spirits float about within this witching hour.
What has kept me up this late I wonder to myself, while fighting
Eyelids drooping, unable to turn from the words, nail biting.
While I nodded nearly napping, suddenly there came a tapping,
It was nothing, merely pattering of rain. And in the distance yapping
Of beastly dogs, while senses have betrayed me, sent my heart racing.
And so it was clear, that I should end my reading session here.
I place the tome back on the shelf, nestled in gently with the rest
Rain splashing against the glass continues, goosebumps up my arm;
My mind is playing tricks on me that I no longer can ignore.
I should have left long ago; so, off to dreamland to explore, then
As if someone gently rapping, rapping at my chamber door.
The tapping on the window was indeed a rapping at the door.
Who could possibly have gotten in? To lurk inside my house!
I crept up to the door and through the peephole I did implore.
The rapping persists, yet not a person stands there. I proceeded
And it was a raven who flew inside and perched upon a statue.
I gazed upon his ebony feathers; a sinister feeling crawling in,
Fighting drooping lids as he stared at me, and I stared at him.
And the raven never flitting, still is sitting. Still is sitting!
He stays unmoving, uncanny, and the energy is hitting
Me with unease. He matches the growing storm, rain cascading
Branches flailing, a crack of lightning, bright, and unveiling
The secrets inside this chamber. The thunder rumbles, distracting.
My gaze flew to the window, giving him ample time to shift;
I shook my head and tried to focus my truly scrambled mind.
Hark, he is gone! There are but a few black feathers left behind
On the pallid bust of Pallas just above my chamber door.
I scanned the ceiling, along the wall, and right down to the floor
Nothing but ebony feathers are remaining, head is spinning.
He can't have left! He was just there! Coaxing me with unchanged stare.
A figure took my place upon that well-worn chair, and he is she.
It took effort, courage to continue my examination
Her legs crossed elegantly. Her hands placed sensually upon her knee
Finally, I glanced further her toothy smile unsettled me,
And eyes have all the seeming of a demon that is dreaming
Of another soul to lead; maybe calmly, maybe screaming.
After reading about war, and about death I worry now
Is it her or I who is entreating at this ungodly hours meeting.
Did I call her here by reading passages of long dismissed
Deities; of Pallas, of Hekate, of Hades and of Tyr.
My thoughts disrupted as curtains, pages, flames on candles are blown;
It’s only the lantern I’d placed beside me that was left alone.
And the lamp light o’er her streaming, throws her shadow on the floor.
Its dark shape is unmatching, more like the raven from before.
Puddles started forming and my collection is destroyed.
I drop to my knees, begging, and within my throat the words seize!
She only grins offering her hand; face suddenly kind, I rise
To stand before her, confusion washing over me. So I put
My hand in hers and it’s clear, so clear, she's here for me
It's time to go, to follow her, that bright light is all I see.
A Life in Polaroids
Poem (Visual) - November 2024 - Updated Version Imminent
This poem was part of a project where each piece was inspired by an Inktober 2024 Prompt. This one used #26 Camera. I set myself an extra challenge to attempt different poetry structures, and for this one I chose a visual format. Camera immediately led me to polaroid pictures and capturing important moments in life, but also the idea that a picture is only a moment, and sometimes there's a lot hidden and incongruent with what you see.
The first iteration was quick and simple; I have plans to update it with traditionally made art.

Text Only
A Life in Polaroids
Under the giant maple.
Serenity in dappled light.
A bookbag, a notebook, a traveller's mug
splayed beneath her bushy branches.
*click*
June 2008
On a plush couch.
Love mixed with resentment.
Hollow smiles on each of our faces
masked by Christmas cheer and ugly sweaters.
3, 2, 1, *click*
December 2010
In a basket.
Warm, overwhelming joy.
Nestled in with a soft blanket
a cat is curled, purring gently.
*click*
September 2020
On abridge.
Relaxed and hopeful.
Wind-blown hair, white-capped rapids,
a reaching arm angled down just right.
*click*
August 2021.
At the beach.
Quiet curiosity, unconditional love.
His hand shields his eyes which stare at the water
The sun hitting him just right.
*click*
May 2024.
Somewhere.
Some feeling.
Something.
Shutter waiting.
The future.
The Ridge of Happiness
Poem - November 2024
This poem was part of a project where each piece was inspired by an Inktober 2024 Prompt. This one used #19 Ridge. Unlike most of the others this poem was a free-form structure. The prompt ridge gave me the feeling of being precariously balanced, and I wrote with the idea of life itself being a balancing act.

The Ridge of Happiness
A precarious stance.
Wind blowing my hair may just as easily blow me off the edge
Sun warming my face just as likely to scorch my skin
A confident step.
Beyond my past, not worried about the future
In this moment I can do no wrong, feel no wrong.
A tentative glance.
Darkness looms below. Tendrils reaching, twisting, turning.
Memories tearing, worries gnashing
A sudden stumble.
A reminder of all that will be lost
A flash of carnage on rocks
A lucky catch.
A rebalancing act, mind over matter.
Breathe in. Breathe out.
A devastating fall.
Tumble into the void. Add insult to injury
Watch as others put one foot in front of the other
No good without bad.
No love without hate.
No ridge without valley.
A Tin Man's Affair
Poem (Limerick) - November 2024
This poem was part of a project where each piece was inspired by an Inktober 2024 Prompt. This one used #23 Rust. I set myself an extra challenge to attempt different poetry structures, and for this one I chose Limerick. I actually remember writing a limerick back in elementary school, so this wasn’t my first attempt but my first in a very long time. The first two things that came to mind with rust as a prompt were the tin man and the rhyme lust, so I simply went with it. The silliness of using them together played very well with the humour of limericks. Also, there is clear, yet unintentional, inspiration from “Hey Diddle, Diddle.”

A Tin Man’s Affair
There once was a man made of metal
Who said that he just couldn't settle.
His joints starting to rust,
His heart filled with lust,
Said bye then ran ‘way with the kettle.
Mother's Diary in the Attic
Poem (Villanelle) - March 2024
This poem was part of a project where each piece was inspired by an Inktober 2024 Prompt. This one used #2 Discover. I set myself an extra challenge to attempt different poetry structures. It was my first attempt at a Villanelle structure which is quite structured. Nineteen lines are split into five tercets and one quatrain and the rhyming pattern is ABA ABA ABA ABA ABA ABAA. And if that weren't enough structure for you… line one repeats on lines six, 12 and 18 while line three will repeat on lines nine, 15 and 19. It was a great challenge to create this poem; near rhymes were very helpful!

Mother’s Diary in the Attic
There's something to uncover
Waiting under cobwebs and dust
Just waiting to be discovered
Notebook with a hardcover
Pages screaming to be touched
There's something to uncover
Perhaps memories of her lover
Of late night chats all hushed
Just waiting to be discovered
Did he wait in bushes, undercover?
Awaiting her in burning lust
There's something to uncover
Did her father, at the window, hover?
While they waited bated breath, heaving bust
Just waiting to be discovered
My mothers story I will recover
Her life lead with such distrust
There's something to uncover
Just waiting to be discovered
Joe, My Love
Poem (Taboo Inspired) - March 2024
This piece was created by a Taboo Card prompt (revealed below.) For those that have never played, Taboo is a guessing game where the card holder tries to get their team to guess the word, but there are words they cannot say. See if you can guess without peeking!

Joe, my love.
Every morning I wake up
And say hello to Joe.
Hot and dark and handsome,
He makes my motor go.
Some afternoons I see him
To get another fix,
Sometimes I make a visit
To Tina just for kicks
Joe can lift my spirits,
I know he’s always there.
He stimulates me in a way
That none else can compare.
The Taboo Card used as inspiration was: Caffeine (Coke, Soda, Pop, Drink, Water)